The Death Beats : Waiting

The Death Beats - Waiting

Grinding super-saws and catchy synth plucks go head to head with growling bass lines and hard hitting drums in The Death Beats latest Dubstep smasher, Waiting. Catchy vocal edits seal the deal and add further chaos & beauty to an already huge soundscape.

Cruise Control sets epic synthesizer tones against punchy 808 beats, deadly sub bass lines and vintage analogue keys. Silky smooth vocal layers and sweeping effects provide the cinematic icing on the cake for this melodic yet unsettling Synthtronica outing.

The Death Beats go Interstellar for their latest Cinematic offering in the shape of Earthbound. Ominous choirs and unsettling movie trailer style effects flow with a sense of imminent danger before dropping into a tense array of huge drums, sweeping strings and growling synths.

Released 20th June 2016. Available to license for commercial use via Audiosocket.

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The Death Beats : Out of Place

The Death Beats - Out of Place

The Death Beats pull out all the stops for their first release of 2016, with a diverse mixture of epic Dubstep alongside sweeping Synthtronica in the shape of Out of Place, Cold Front and Gunslinger.

Out of Place fuses epic super saws, beautiful synth layers and growling bass lines set to punchy Dubstep beats to create a hard hitting yet uplifting dance-floor anthem. Scottish singer and songwriter Holly Drummond provides catchy and soulful vocal layers, elevating the track to new levels.

In their ongoing quest for sonic diversity The Death Beats flip the switch for Cold Front and Gunslinger laying down a mixture of epic synth melodies, sweeping cinematic strings and hard hitting movie trailer effects alongside gritty Drumstep and Dubstep beats.

Released 23rd May 2016. Available to license for commercial use via Audiosocket.

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The Death Beats : Black Sails

The Death Beats - Black Sails

The Death Beats are back with another 808 fuelled Trapstep smasher, fusing growling bass lines, anthemic synth hooks and sweeping synth pads, set to a frenzied layer of cinematic tension in the form of Black Sails.

Accompany the title track is a brand new re-work of the boys classic Electronic Hip Hop smasher Bad Man as well as a new Dubstep mix of their contribution to the soundtrack of the movie Tracers, featuring vocals from Rock n Roll veteran, Phil Saatchi.

Released 14th December 2015. Available to license for commercial use via Audiosocket.

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The Death Beats : Motionless EP

The Death Beats - Motionless EP

The Motionless EP represents a new direction for the Death Beats, fusing vintage outboard synthesizers alongside the cream of today’s music technology, resulting in a vivid sound-scape of beautiful synth layers and modern day beats.

Setting aside their trade mark sounds, the boys swap growls and womps for a fat selection of catchy analogue leads, funky synth plucks and sweeping string layers set to thunderous Moog style bass lines.

Drum & Bass legends, Ragga Twins lay down a heavy vocal for Pressure & Pain while LA based Folk singer and songwriter Lucas Last gives an added dimension of soul to the title track Motionless.

With support from DJs including Ann D (BCR Radio 3), Brewster B (Kiss FM Melbourne), Lady Waks, Marco Carpentieri, Mat the Alien and Retchid.

Released 19th October 2015. Available to license for commercial use via Audiosocket.

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The Death Beats : Freak On / Nasty Things

The Death Beats - Freak On and Nasty Things

The Death Beats lay down a frenetic mixture of Middle Eastern melodies and modern Hip Hop synth lines against punchy 808 beats and driving sub bass lines for their latest outing into the world of Electronic Hip Hop and Trap.

Analogue keys and swelling synth layers clash head on with funky live breaks and fierce Ragga vocals as Freak On builds to a frenetic crescendo. A rough and ready blend of catchy leads and funky synth woops head up the drop against a background of tightly wound Hip Hop beats.

Nasty Things presents an uneasy mix of twisted synth pop undertones and crunchy analogue edits before dropping into a hard hitting concoction of pumping 808 bass lines and futuristic synth leads. Soaring vocals add an extra dimension of soul and a finishing touch of class.

Released 2nd March 2015. Available to license for commercial use via Audiosocket.

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